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To say that the Stephen Reaves Fine Art
Gallery showcases an eclectic array of artwork would be an understatement.
Just having completed its second full season in the Vail Valley,
it's already home to numerous established artists working in a variety
of mediums and styles.
Although it's the name of Stephen Reaves, its featured artist, Pascal
Guessas, a renowned collector and founder of Denver's Le Jardin
Des Arts, is the owner of the gallery. A longtime connoisseur, Pascal
saw an opportunity in Vail to showcase quality artists, many of
whom have been in his private collection. The majority of work on
display is contemporary, with an impressionistic or abstract flair.
To begin with, Mr. Reaves' own work is semi-abstract, and often
utilizes a heavy palette knife technique. His canvases are representational
of their selected vistas. Whether they are seascapes, mountain views,
still lifes, or village panoramas, Reaves' paintings take more than
a little inspiration from the Fauvist movement of the early 20th
century. As with those early works, Reaves' canvases are ruled by
bold, wide panels of color and graphic compositions. The results
are a joyful viewing experience.
Sharing wall space with Reaves other artists is Pierre Henri Matisse,
the grandson of one of the best-known painters of the 1900s. The
serigraphs in the gallery are reminiscent of Paris before WWII.
They represent romantic - yet whimsical - Parisian street scenes
that are at once decorative and nostalgic.
The striking bronzes of Chuck Weaver are completely unique. None
are monumental in scale, but the dynamic motion encompassed in his
horse heads borders on the profound. Studying them, the viewer gets
caught up in the negative space as much as in the positive, powerful
mass surrounding them. A truly delightful departure from the mustangs
and stallions is Weaver's charming and lyrical sculpture titled
"Breeze & I.' The female figure is sculpted so it sits on the corner
of a table or counter. And though it might be overlooked among the
more grandiose pieces in the room, be sure to seek it out.
A few of the more controversial sculptures in the gallery are those
of artist Michail Razvan. His sensual treatment of the female body
is simultaneously a conversation piece as well as functional art.
For example, Razvan's "Bebe" is a life-size nude figure forming
the pedestal of a glass tabletop. While it is not meant for everyone's
taste, it is as technically beautiful as it is sexy. Perhaps less
blatant, but equally well executed, is "Time," a partial torso of
a woman that could easily be a relic of ancient Greece. Its curvaceous
form invites caressing.
One painter whose work would benefit from having more on display
is Francois Fressinier. His "Daydreamer" reminded me of a painting
by Gustav Klimt, but there is quite a bit going on in it that makes
the canvas distinctive. The romanticism exhibited in the delicate
treatment of the wistful, young woman is at once classic and sensuous.
Fressinier's judicious use of metallic gold and silver as design
elements only add to the Klimt correlation.
In addition to those mentioned above, there are several other artists
worth seeing. Of these, the unmistakable glass pieces by Tom Maroz,
such as "Wings" and "Tear for Henry" are marvels of his deft placement
of shards of glass.
Jerry Georgeff paints typical "neighborhood" scenes of France, and
while they are skilled treatments, his landscapes are more appealing
and painted with greater flair.
Olga Kaydanov, a young Russian, is perhaps the most promising
of the group. Only 21, Kaydanov was born to paint. Her work is imaginative,
beautifully handled, and reflects an inspired soul. She is definitely
one to watch.
A new edition to the portfolio of accomplished artists shown at
Reaves is Vail's own Susan Heiderer, just returned from exhibiting
at the Florence Biennale. Currently on display are four of her canvases
from the famous exhibition in Italy.
Stew Mosberg works out of Blue River, Colorado. He is the recipient
of a grant from the National Endowment for the Arts, holds a degree
in Design from the University of Florida, and is the author of two
books on design. He can be reached at WrtrF@aol.com
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